The freewheelin' bob dylan vinyl

In association with PopSpots. In the book: Shakey: Neil Young's Biography, author Jimmy McDonough wrote that Bernstein, years-old at the time, was "shocked" that Neil had chosen that photo for the cover.

Freewheelin' bob dylan album cover

Bernstein described it as an "accidental shot" of Neil walking through Greenwich Village during an outdoor photo session and he even "solarized the print in order to hide its soft focus. The actual location where Neil was walking, though it could have been in the depicted circle, was probably mid-block, but the entire fence and small brick base has since been taken down sometime between and when an underground law library was put in under the street and four windows on the law school's side were replaced with one large central window.

PopSpots: Full Report. It includes "Like a Rolling Stone". Unlike "Another Side of Bob Dylan", the cover of which was a close-cropped photo with not a lot of background information, "Highway 61" shows Dylan sitting down with a person standing behind him dangling a camera, and in the background, there are some architectural elements, like pilasters.

Bob dylan freewheelin vinyl value

The picture was taken by photographer, Daniel Kramer and is quoted as saying that he took the shot outside of an apartment that Dylan was sharing with his manager, Albert Grossman "in Gramercy Park. Dylan had gone in and put on a motorcycle t-shirt and the photographer positioned Dylan's friend Bob Neuwirth with a camera, behind him, and took two frames.

Located about a half mile north and east of the Village, Gramercy Park is a collection of beautiful residences, some townhouses and some large apartment buildings surrounding a private park. Number 4 Gramercy Park West is a 4-story apartment building which was built in by the famed architect Alexander Jackson Davis. The street and all of the buildings on it were all razed within the next few years to make space for a large residential community called Southbridge Towers.

The Jacob Street area was well known for the first half of the century as a center for leather manufacturing, wholesaling and warehousing. In fact, behind the doors you can see in the base of the Brooklyn Bridge were storerooms for finished leather ready for sale or export. The background of this shot comes more in focus than the "Post" shot.

The street is pre-grid-system-thin, like those in the Village and old parts of the Financial District. And the street is made from cobblestone.