Atiq rahimi wiki

Following the Soviet invasion, Rahimi fled Afghanistan , taking refuge in Pakistan for a year and then relocating to France in [ 1 ] after receiving political asylum. On completion of his studies at the Sorbonne , Rahimi joined a Paris -based production company where he produced seven documentaries for French television, as well as several commercials.

Atiq Rahimi (Persian: عتیق رحیمی) (born 26 February in Kabul) is a French-Afghan writer and filmmaker.

Taking time off in the late s, Rahimi embarked on his first writing project. The film was featured in 50 festivals, winning a total of 25 awards including one at Cannes and a Golden Dhow award for best feature film at the Zanzibar International Film Festival. After the fall of the Taliban , Rahimi returned to his native Afghanistan in , after 17 years of exile, and used a year-old box camera to take pictures of Kabul.

Six of these photographs were later purchased by the Victoria and Albert Museum in London. Rahimi's fourth book and his first in French , the novel tells the story of a woman whose husband has been wounded in battle in a country resembling Afghanistan and now lies as paralysed as a stone. Upon his return to Afghanistan in , Rahimi became involved with the nation's largest media group, Moby Group, [ 3 ] as a senior creative advisor.

Rahimi, who divides his time between Kabul and Paris , continues to work closely with the Moby Group in developing programs and genres for its media outlets, as well as helping develop and train a new generation of Afghan filmmakers and directors.

Pages in category "Films directed by Atiq Rahimi".

Atiq Rahimi has been selected as a Cannes Film Festival jury member. This appointment marks another significant achievement in his distinguished career. Rahimi's films have been recognized internationally, including at the Cannes Film Festival, reflecting his unique artistic vision and his contributions to both Afghan and global cinema. His role as a jury member at such a prestigious event underscores his status as a prominent figure in the film industry.

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